Oil On Canvas, Real Flavor of Old Masters

All Walter Withers 's Paintings
The Painting Names Are Sorted From A to Z


ID Image  Painting (From A to Z)       Details 
32759  
A bright winter's morning, Walter Withers
 
 A bright winter's morning   mk80 1894 oil on canvas 60x90.2cm
79304  
Approching Summer Storm, Walter Withers
 
 Approching Summer Storm   Approching Summer Storm, painting, oil on canvas, 56.0 x 35.5 cm, by Walter Withers Date 1907(1907) cjr
82322  
Approching Summer Storm, Walter Withers
 
 Approching Summer Storm   oil on canvas, 56.0 x 35.5 cm, by Walter Withers Date 1907(1907) cyf
79401  
Farmer's Girl, Walter Withers
 
 Farmer's Girl   Farmer's Girl, painting, oil on canvas, 39 x 28 cm, by Walter Withers Date 1892(1892) cjr
42144  
Farmer-s girl, Walter Withers
 
 Farmer-s girl   mk167 1892 Oil
82346  
Farmers Girl, Walter Withers
 
 Farmers Girl   oil on canvas, 39 x 28 cm, by Walter Withers Date 1892(1892) cyf
75366  
Fossickers, Walter Withers
 
 Fossickers   Fossickers (1893, oil on canvas, 67.7 x 49.0 cm) by Walter Withers (1854-1914). cjr
77243  
Fossickers, Walter Withers
 
 Fossickers   1893, oil on canvas, 67.7 x 49.0 cm) by Walter Withers (1854?C1914). cyf
78211  
Gustavus Adolphus of Sweden at the Battle of Breitenfeld, Walter Withers
 
 Gustavus Adolphus of Sweden at the Battle of Breitenfeld   1632(1632) Medium Oil on canvas cyf
79402  
Heidelberg, Walter Withers
 
 Heidelberg   Heidelberg, painting, oil on canvas, 49.0 x 33.5 cm, by Walter Withers Date 1892(1892) cjr
82347  
Heidelberg, Walter Withers
 
 Heidelberg   oil on canvas, 49.0 x 33.5 cm, by Walter Withers Date 1892(1892) cyf
75368  
Midsummer, Walter Withers
 
 Midsummer   Midsummer (1895, oil on board, 24.5 x 33.0 cm) by Walter Withers (1854-1914). cjr
77245  
Midsummer, Walter Withers
 
 Midsummer   1895, oil on board, 24.5 x 33.0 cm) by Walter Withers (1854?C1914). cyf
75371  
On the Eltham Road, Walter Withers
 
 On the Eltham Road   On the Eltham Road (1906, oil on canvas, 34.0 x 49.7 cm) by Walter Withers (1854-1914). cjr
77248  
On the Eltham Road, Walter Withers
 
 On the Eltham Road   1906, oil on canvas, 34.0 x 49.7 cm) by Walter Withers (1854?C1914). cyf
82345  
The Last of Summer, Walter Withers
 
 The Last of Summer   oil on canvas, 77.0 x 92.0 cm, by Walter Withers Date 1898(1898) cyf
79400  
The Last of Summer,, Walter Withers
 
 The Last of Summer,   The Last of Summer, painting, oil on canvas, 77.0 x 92.0 cm, by Walter Withers Date 1898(1898) cjr
75367  
The Yarra below Eaglemont, Walter Withers
 
 The Yarra below Eaglemont   The Yarra below Eaglemont (1895, oil on canvas, 50.9 x 70.3 cm) by Walter Withers (1854-1914). cjr
77244  
The Yarra below Eaglemont, Walter Withers
 
 The Yarra below Eaglemont   1895, oil on canvas, 50.9 x 70.3 cm) by Walter Withers (1854?C1914). cyf

Walter Withers
English-born Australian Painter, 1854-1914 was an Australian landscape artist and a member of the Heidelberg School of Australian impressionists. Withers was born at Handsworth, Staffordshire, the son of Edwin Withers. He showed an early desire to paint, but objection was made to this by his father. It is not known what occupation he followed in England, but in 1882 he arrived in Australia with the intention of going on the land. After working for about 18 months on a farm, Withers removed to Melbourne and obtained a position as draughtsman in a firm of printers. He then took up his painting again, and began to exhibit with the Victorian Academy of Arts afterwards merged in the Victorian Artists' Society. In 1887 Withers went to Europe. There he was married to Miss F. Flinn and studied for some months at the Academie Julian, Paris. He returned to Australia with his wife in June 1888 having been commissioned to do black and white work for Messrs Fergusson and Mitchell of Melbourne. His most important work in this way will be found in the illustrations to Edmund Finn's, The Chronicles of Early Melbourne. Withers settled down at first at Kew, a suburb of Melbourne, and then near Heidelberg on the other side of the river Yarra. He became friendly with Arthur Streeton, Charles Conder, Tom Roberts, Frederick McCubbin and other leading artists of the period. He began to sell a few pictures, but the collapse of the land boom put an end to his illustrative work. He obtained some work as a drawing and painting master in schools, and in 1891 opened a studio in Collins-street west, where he held his first private exhibition.



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